In a lengthy response to the letter, Billy Bragg has declared his own support for Kneecap, but has made clear that he does not believe the letter addresses the full complexity of the situation.
Writing on Friday (May 2), Bragg began: “I’m glad to see that a number of artists have signed a letter defending Kneecap from attempts to remove them from various festival bills in the wake of comments made at shows over two years ago. The band have apologised for the hurt they caused to the families of murdered MPs and distanced themselves from Hamas and Hezbollah. Having taken that step, I believe they deserve to be reinstated on those bills that have removed them, and also confirmed as playing at those festivals where they are already scheduled to perform.”
Bragg continued: “However, I’m not sure I would have felt comfortable signing the letter (I wasn’t asked). My problem is that the wording lacks any sense of nuance or understanding of why this whole furore kicked off. And in trying to avoid the complexities of this issue by claiming that the politics of an artist’s views are irrelevant, the signatories are arguing that the only principle at stake here is free speech. I disagree. Andrew Tate uses that justification to avoid accusations that he is pedalling misogyny. Free speech absolutism has made Twitter a sewer of right wing bile and sexist bullying. Rock Against Racism was founded on the belief that artists should not be free to say whatever they want to say, without any consequence.”
Kneecap. Credit: Joseph Bishop for NME
“If we want to live in a society where everyone can exercise their liberty to freely express their opinions, then we have to take two other crucial dimensions into consideration,” he continued. “Firstly, we must give equal space for other opinions to be expressed. And secondly, to prevent those first two rights from being exploited by those who would abuse them by threatening and discriminating against others, we need to accept that words have consequences.”
“What that means in practice is that we must be careful not to allow the considered and cogent arguments we seek to make – Free Palestine, end the genocide – to be undermined by flippant statements that we later have to apologise for. I think the artist’s letter would have been much stronger, as would the case for reinstating Kneecap, if it had recognised this crucial dynamic, rather than seeking to brush all other considerations aside.”
Bragg went on to note that Kneecap have been outspoken in their support of the Palestinian people and said he believes their criticisms of the Israeli state are “totally justified”.
Bragg’s statement also states that Kneecap are “being punished” for their “anti-Israel statements” at Coachella, adding: “Sharon Osbourne’s complaints sent the right wing press off to scour the internet looking for a stick to beat the band with and, unfortunately, they found it.”
Kneecap live at Reading 2024. Credit: Andy Ford for NME
Bragg added: “The fact is, people say stupid things onstage in the heat of the moment. In calmer environments, the band make it clear that they do not support the targeting of civilians, be they non-combatants or members of parliament, citing the experience of their community during the Troubles. In doing so, they implicitly recognise that there are limits to freedom of expression, that some things cannot be said without consequence.”
“Perhaps if they addressed some of the complexities of this situation in an interview, putting their statements and subsequent treatment into context while defending their right to call out genocide, it might clear the air and garner wider support for Kneecap to perform as scheduled this summer.”
“What I don’t think helps them – or any of us who wish to engage in debate around highly contentious issues – is a blanket demand that artists be allowed to say whatever they want to say, without consequence.”
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